“Na Your House Make I Come?” – Reekado Banks Silences Troll Who Called Him a ‘Failed Artiste’ for Attending Church

Nigerian singer and songwriter Reekado Banks has once again found himself at the center of social media attention, not for a new song release or a performance, but because of his witty response to a troll who mocked him for attending church. The former Mavin Records star, known for hit songs like Easy (Jeje), Like and Rora, had shared a simple update about his spiritual life, revealing that he had started going to church regularly. Instead of encouragement, a critic took the opportunity to throw a jab, insinuating that he only turned to God because his music career had “failed.” But rather than take offense or engage in a bitter exchange, Reekado Banks shut the troll down with humor, asking, “Na your house make I come?”—a reply that has since gone viral across platforms.

The exchange began after Reekado made a post online, highlighting the importance of faith and reconnecting with God. Many fans applauded his move, with some calling it a sign of maturity and growth in a challenging industry. However, one user decided to rain on his parade by calling him a failed artiste who had nowhere else to turn but church. The comment, harsh and dismissive, struck a nerve with many of his supporters, but Reekado himself handled it with grace and sarcasm. His short response carried both humor and wisdom, showing he wasn’t about to let anyone belittle his personal journey of faith. The phrase “Na your house make I come?” quickly became a trending line, as it perfectly captured the idea of shutting down unnecessary negativity without being hostile.

Reekado Banks, born Ayoleyi Hanniel Solomon, has had an impressive run in the Nigerian music scene since rising to fame under Don Jazzy’s Mavin Records in 2014. With back-to-back hits and features, he quickly became one of the most promising stars of his generation. However, like many artistes, he experienced a career shift after leaving the label in 2018. Some critics have often used that transition period to label him a “fallen star,” ignoring the fact that he has continued to release quality music and perform at top events. Songs like Rora and his EP Off the Record proved that his artistry remains intact, while collaborations with international acts have shown his versatility. Still, the harsh reality of the Nigerian music industry is that once an artiste slows down in mainstream visibility, trolls are quick to tag them as irrelevant.

What makes this moment stand out is how Reekado has turned what could have been a negative narrative into a positive one. By openly embracing church and showing no shame in talking about his faith, he has demonstrated that success is not defined by charts or clout alone. For him, spirituality seems to have become an anchor, and the fact that he is comfortable sharing that publicly speaks volumes about his growth. In a society where celebrities are often judged for every personal choice, the backlash was expected, but his witty clapback has now sparked a broader conversation about the pressure artistes face in Nigeria.

Social media has always been a double-edged sword for celebrities. While it provides a platform to connect with fans, it also gives room for harsh criticisms and unsolicited opinions. Reekado’s experience reflects the toxic culture where trolls equate attending church with failure, as though seeking God is a last resort for those who have “fallen off.” But many fans have rushed to his defense, pointing out that there is nothing shameful about turning to God regardless of one’s career status. Some even highlighted that his decision might inspire younger fans to also reconnect with their spiritual roots. The irony, as many observed, is that those criticizing him for attending church might themselves be struggling in private, proving that social media often masks deeper issues.

Beyond the clapback, Reekado’s story touches on the broader struggles of artistes trying to balance personal life with public expectations. The Nigerian entertainment industry is unforgiving; one year you are trending, and the next, people are asking “what happened to him?” Yet, the truth is that longevity in music often looks different from constant mainstream hype. Many artistes reinvent themselves, switch styles, or even take breaks to focus on personal matters. For Reekado, his current journey seems to involve not just music but also spiritual grounding, and that choice deserves respect rather than ridicule.

Interestingly, his sharp reply has now elevated him back into conversations far beyond the original insult. The viral moment has been picked up by blogs, fan pages, and news outlets, turning what was supposed to be a troll’s attempt at humiliation into a headline-grabbing trend. Fans have started using the phrase “Na your house make I come?” in memes, skits, and everyday banter, proving once again how quickly a simple clapback can turn into pop culture. For an artiste like Reekado, this moment serves as both a reminder of his wit and his ability to stay relevant in conversations even outside of new releases.

It also shines light on the relationship between fame, criticism, and spirituality. Many Nigerian artistes, from Wizkid to Olamide, have publicly acknowledged their faith at different points, but reactions often vary depending on the stage of their careers. In Reekado’s case, the attempt to link his faith to failure exposes a societal stigma where success is seen purely in material terms. Yet, as his reply shows, he refuses to allow such narratives to define him. Instead, he chooses humor and authenticity, reminding fans that at the end of the day, celebrities are human beings navigating their own journeys.

For long-time fans of Reekado, this is nothing new. The singer has always been vocal about expressing himself freely, whether in his music or online presence. His artistry has been marked by a mix of afro-pop, R&B, and street-influenced sounds, making him one of the most versatile acts in his generation. What people often forget is that music careers evolve differently; while some thrive on constant spotlight, others prefer to move at their own pace, releasing music that reflects where they are in life. Perhaps, Reekado’s current focus on faith is simply a reflection of that evolution, and it could even inspire new music with deeper themes.

At its core, the incident shows how celebrities are redefining the way they respond to online hate. Instead of reacting angrily or ignoring it completely, Reekado’s witty comeback serves as a lesson in turning negativity into entertainment. It also sends a subtle message to trolls: sometimes, the best response is not an argument but a rhetorical question that exposes the absurdity of their insult. His fans have celebrated him for handling the situation with maturity, while even some critics have admitted that his response was sharp enough to silence the negativity.

As the conversation continues online, one thing is clear: Reekado Banks has reminded Nigerians that attending church is not a sign of failure but a personal choice worthy of respect. His reply, short but powerful, has not only defended his decision but also given fans a catchphrase that will likely linger in pop culture for a while. Whether or not he intended it, “Na your house make I come?” has become more than a clapback—it’s a cultural moment that proves Reekado is still very much in touch with the pulse of his audience. For an artiste who has faced highs and lows, this moment shows resilience, wit, and the ability to stay relevant in an industry that never stops watching.

In the end, Reekado Banks’ encounter with the troll is less about the insult and more about the response. By choosing humor over anger and authenticity over pretense, he has set an example not just for other celebrities but for anyone dealing with negativity. And as fans eagerly await his next musical project, one thing is certain: the man who once lit up Nigeria with unforgettable hits has shown that he still knows how to make the country talk—whether through his music, his faith, or his unforgettable clapbacks.